Monday, July 11, 2016

OPEN HOUSE: September 11, 2016



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Come by and see all the work our members have been doing over the past year, renew your membership or simply to enjoy the cookies, comradery and members  demonstrating their various crafts

Historical 200 yr old Woven Coat Found

Historically, Independence Day reminds us with patriotic excitement, what challenges and struggles have been overcome in the last 200 years ago, a step back into time, a glimpse into the past. A glimpse into the past became most interesting to one of our guild members who came across a trunk that hadn't been open in at least 100 years.  The key had been lost and it had been passed down through the family, the inside of which ne'er to see the light of day.

And then...She says with a pregnant pause.  I will not be swayed, I will open this truck. We tried every key anyone had, we tried to jimmy the lock, and we even tried to pick the lock. But she did refuse to cut the lock off or cut the hinges. Long story short through perseverance, a emailed picture, a pencil tracing of the lock and all the numbers found anywhere on the truck, a locksmith was found in Pennsylvania who thought he had just the key.  AND HE DID.

She had it open, a grand unveiling. Inside were vintage clothing, furs, and newspapers from the late 1800's.  Amazingly, the clothes were a little dusty perhaps, but largely in good condition.


The pi`ece de re`sistance was a coat which had a note in the pocket, dating it to approximately 200 years ago.   "This wrap is about 200 years old.  The material in the wrap was woven by Mrs. K........'s great grandmother."   




Always curious, she started to research its origins.
Usually, this items would have been passed down through the women in the family and it is believed to have come to this country in 1866 with Birgitte who was born in 1835 and would have been the weaver's granddaughter.  The weaver (Maren) was born in 1751 and had her first child in 1777 and the mother of Birgitte in 1790.  Googling Orum, Hjorring, Denmark history says the town was begun in the 1250s and was a trade center among other things.  












This suggests that it is possible some of the materials for the coat could have been purchased but also suggests that knowledge of weaving may have come in as well.  The coat lining appears to be silk, woven in a damask pattern.  One would first assume that it was purchased although could a draw loom have been used?  Also in the history, a report of fire in the 1820's may have destroyed relative information. She has also contact a fiber center in Denmark and is awaiting their reply. 

There were other items in the trunk, a suit ensemble obviously designed for a pregnant women, a gentlemen's evening coat, a beaded cape, a fur coat (you could still feel the oils of the animal) and several other items. I must admit we were like little kids reveling in the "what could this have been?" and "how was this made?" 

The coat was shared at the recent weavers meeting and as she moved around the room, the weavers fingering the fiber, examining the weave structure, and oohing and aahing a fine piece of craftsmanship. 

Anytime we step back into time whether it's through a holiday remembrance or a trunk in the attic, there is a story to tell, a time to research, a history to be learned. 

Even as she cleaned the clothing (with careful archival instructions from her fabric designer granddaughter) and returned them to the trunk, the quest for the coat's history continues. Stay tuned, Denmark may just add more to the story. 

Sunday, May 15, 2016

Pottery or is it Ceramics?

As we gathered for our annual meeting, I became aware of the talent that shares this space. I am a weaver, a spinner, a quilter, pretty much anything to do with fiber, but I know nothing about pottery. And yet, the potters are clearly alive and well amid their fiber friends.

Our guild has a sizable group of potters,  not only in workspace, but also in wheels, kilns, clays, paints and stains. Often as the kiln is loaded and another firing begun, I realize my love for winter pottery stems from the warmth radiating from even as it cools. Throwing clay and designing its shape upon a wheel is mesmerizing, and yet, I still know nothing. I understand that a glob of brown, tan or grey becomes something recognizable with human contact and skill.  Yes, we all remember the "Ghost" scene with Demi Moore and Patrick Swayze.

I get confused in the distinction between ceramics and pottery because they are made in a similar fashion. The creation of any piece typically begins with the mixing of clay, formed into a shape using a potter's wheel or mold and then left to dry out. A kiln is used to fire or bake the clay in preparation for the decorating and finishing. Items are painted, stained or glazed before a second firing sets the work. It seems that the distinction lies in the meaning people place on the item. Fine Art pieces are thought of as ceramics, where as items with a function is pottery. The art form as a whole is often referred to as ceramics, whereas pottery is a subgroup.


I know as I have tried to explain pottery/ceramics, I am lacking. What I do know is that having the pottery punch bowls for our open house punch, platters and mugs to display our wares, and the basic esthetic beauty of the pieces created by our members is exciting and visibly dynamic. The piece above was thrown and glazed by Craig, one of our member potters.  Outstanding, isn't it.

Thursday, March 17, 2016

Finding the Perfect Fiber for Every Purpose...The "S" Word.




Beth Smith enjoying the day
The spinners took time out from their British breeds study to participate in a weekend workshop on American Breeds and the hows and whys of fleece preparation with Beth Smith. It was a fun weekend in Solon.  No, that apron doesn't mean Beth is one of the 'housewives of Solon',  but we did make a mess and we did have a lot of fun. We laughed, carded and plied, and laughed, combed and plied and flicked and plied some more. And Laughed some more.  Amazing how different the same fleece looks based on which preparation I used prior to the spinning. And Beth did use that "S" word ALOT!.

Shocking I know, the "S" word. As weavers, spinners, knitters or quilters, we don't often like the "S" word. SAMPLING, that is.  We think it's just more work and just too much time. WELL, I'm going over to the dark side; sampling really did make a difference. There will be significantly less wasted time, less wasted fiber and more successfully completed projects. You do spend time up front planning and sampling, but then you can simply fly. All the bugs have been worked out, no surprises, no bumps in the road and I have to admit, when a project comes together just like I wanted,  I love what I do. When it doesn't, not so much.  The "S" word, SAMPLING,  hmmm, maybe a pseudonym for success.

Hand combing
Each type of prep is based not just on what kind of fleece, but also what is the project this fiber will be used for. Each fiber is best suited for a specific project after a specific prepping. For example, some preps create fluffy or fuzzy fiber, which is not the best fit for lace.

Vicki using the long draw to spin

Linda is using hand coombs
Bev using her hand to wind off prior to plying.
Julianna checking out a resource in Beth's book
 Beth has authored a intriguing guide to spinning entitled The Spinner's Guide to Fleece. It describes the how's and why's of spinning and then catalogues individual breeds. It serves as an excellent resource for many of us novice spinners.

 On the second day of the workshop, she discussed several American Breeds. Samples of American Jacob were prepared and it will be interesting to compare the American Jacob with that of the British Jacob (Part of our British breeds study) We know there is a size difference, but are there any other differences. All I can say is stay tuned.

A Handwoven skirt Beth made from her Homespun wool

As the week end came to an end, we left tired, enthused and excited to try yet another fleece.  Happy spinning.


Monday, February 8, 2016

Redwork in Quilting

In between ice storms,  the quilters gathered around the fire at Molly's to share our joy in fabric. This year our focus has been handwork and its application to quilting. Linda presented a report on the history of "Redwork". The short and skinny is that Redwork is embroidery which uses red cotton floss to stitch simple line drawings. It can also be done in other colors, thus changing its name to green work or blue work accordingly. Its history dates back to Victorian era in Europe, where it was called "Turkey work" (the name of the color red used).

Embroiders used "penny squares" onto which a pattern was traced. It was named as such because the square of fabric, a pattern, and the floss cost a penny. These became the quilt blocks or were used for embellishing tea towels, aprons, pillow cases and other decorative items. The traditional stitches are outline, stem, backstitch, and french knots.  There has been a resurgence in its use as seen here. Kathy provided the quilt shown and it is a magnificent example of scrap utilization and redwork. I think this inspires us all to be part of that resurgence. Thanks Linda and Kathy. 




Thursday, January 21, 2016

The spinners celebrate Roc Day/Distaff Day




Just like the fiber groups of old, our spinners group celebrated in a slightly tardy fashion, Roc Day. And for the uninitiated among us,  a little FYI from wikipedia explains:  


Distaff Day, also called Roc Day, is 7 January, the day after the feast of the Epiphany. It is also known as Saint Distaff's Day, one of the many unofficial holidays in Catholic nations.
Many St. Distaff's Day gatherings are held, large and small, throughout local fiber community. The distaff, or rock, used in spinning was the medieval symbol of women's work.[1]
In many European cultural traditions, women resumed their household work after the twelve days of Christmas. Women of all classes would spend their evenings spinning on the wheel. During the day, they would carry a drop spindle with them. Spinning was the only means of turning raw wool, cotton or flax into thread, which could then be woven into cloth.
Men have their own way of celebrating this occasion; this is done through Plough Monday. It is the first Monday after Epiphany where men are supposed to get back to work.
Every few years, Distaff Day and Plough Monday falls on the same day. Often the men and women would play pranks on each other during this celebration, as was written by Robert Herrick in his poem "Saint Distaffs day, or the Morrow After Twelfth Day" which appears in his Hesperides.[2]

Nothing is funnier than watching 
Although last night's weather was not the best for people to make it to the spinners meeting.  Those of you were not there missed an evening of great fun.  We did a lot of laughing!  If you've never tried spinning with gloves (especially ones that were way too big for your hands!) or blind folded, or both, you should give it a try sometime. 

Check out the bobbin, looking good.
Believe it or not, it is possible to make a yarn--perhaps not your finest yarn, but a yarn nonetheless.








Now just how long did you think you could draw that fiber, perhaps it went across the street?


Nothing like a few games to humble a person. What a jolly time was had by all. 

We do have lots of plans for the upcoming months. In February, it will be back to the English Breeds and we'll will dig into some lovely English Jacob.  I'm really looking forward to this one! In March it will be the Beth Smith workshops (Saturday and Sunday, March 5th and 6th) and another British breed, Scottish Hebridean fleece; April will be the Oxford breed and either the Iowa Federation meeting in Decorah or Plyaway in Kansas City.  Phew!  We are going to be busy spinners. 
How exciting. 

Tuesday, December 22, 2015

Rush, Rush, Handcrafted Holiday Gifts... Joy, Joy

We have been busy at the Craft Guild with many of the groups working on holiday gifts, for Hanukukah and Christmas.  Primarily I am a quilter, but I dabble across the fiber arts. I spin therefore I must knit or weave. I have fabric, therefore I must make quilts, or weave rugs. It is a vicious cycle, albeit, an exciting journey. I know sometimes we struggle for new ideas or simply translating someone's instructions into a treasure from the heart.  Ideas such as quilted and embellished ornaments, table mats, coasters, towels. or the even bigger items, quilts and rugs, sweaters, mittens and hats. Another favorite gift is socks...while they take time, you can take them anywhere as you work on them, adjust size, color, style for whomever. Wherever I am at this time of year, my hands are working on something.  Rushing to finish just one more stitch. 

Weaving on a pin loom


Weaving scraps become coasters.


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Quilted table mat
Each year I say I will start earlier, and each year I say never again will I decide to make EVERYONE something from my fiber world. And then I receive THE CALL. 

You see my grandchildren all live long distance and often aren't here for holidays. This year the call came from Glasgow, Scotland.  My granddaughters bubbled, excited not about the purchased gift, but the things Nana made, like the christmas' ornament specific to each of them and their personality or the mittens in just the right color. Why do we do it??? Joy, Joy, Joy,  it brings to everyone.